The Great Hierarch Orthodox Icon
Custom size and price by individual agreement. Recommended from 30×40 cm (11.8×15.7 in) and larger iconostasis formats.
The Great Hierarch Orthodox Icon is a monumental hand-painted image of Christ as the eternal High Priest and King of Kings, enthroned in full Orthodox episcopal vestments.
Painted in academic Mstyora style with natural mineral egg tempera on a linden wood board with oak splines, pavoloka, and gesso. The background is smooth mirror-polished 960-grade gold leaf; there is no relief chasing, so the detailed brushwork of vestments, throne, Gospel, and angels remains central. Free international shipping. Payment after receiving.
It is possible to paint an image in any size to order
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The Great Hierarch Orthodox Icon is a monumental hand-painted image of Jesus Christ as the Great High Priest and King of Kings. This icon is a highly complex icon in which Christ sits on a richly ornamented throne, vested in the liturgical garments of an Orthodox bishop, crowned with a royal mitre, and surrounded by angelic powers.
This is a contractual icon: because of the scale, detail, and months of work required, the final price, format, and production time are discussed individually. Free international shipping is included, and payment is made after receiving the icon.
Historical Context and Formation of the Iconography
Among Orthodox images of Jesus Christ, the Great Hierarch icon stands out for exceptional solemnity, dogmatic depth, and visual richness. It is not an image of Christ in the simple garments of His earthly ministry, but an eternal, eschatological, and triumphant image of the conqueror of death.
The faithful see Christ in His unending heavenly glory: Creator of the universe, supreme Judge, Head of the Church, and eternal High Priest who intercedes for the human race before God the Father.
The iconography of the Great Hierarch formed in Byzantium over several centuries and is closely connected with liturgical theology. Early forms appeared in church frescoes of Macedonia, Serbia, and Mount Athos in the thirteenth and fourteenth centuries, where Christ was shown celebrating the heavenly Divine Liturgy among angelic ministers.
In Russian tradition, this solemn image became associated with the Deisis rows of rich multi-tiered iconostases and with devotional icons used by clergy. It visually unites Christ’s royal authority, priestly intercession, and heavenly glory.
The Priesthood According to the Order of Melchizedek
The theological key to the Great Hierarch icon lies in the words of the Psalms: “Thou art a priest for ever after the order of Melchizedek.” This thought is developed in the Epistle to the Hebrews.
Melchizedek was a mysterious Old Testament righteous man who united two offices: he was king of Salem, meaning king of peace, and priest of the Most High God. In Christ, kingship and priesthood are united eternally and perfectly.
Earthly priests of the Old Testament offered animal sacrifices. Christ the Great High Priest offered Himself once and for all, redeeming humanity from death and the curse of sin. This icon reveals that eternal saving intercession.
Symbolism of the Savior’s Vestments
Every detail of Christ’s vestments in this icon carries liturgical and theological meaning. The Savior is not dressed in the simple ancient garments of chiton and himation, but in the full liturgical vesture of the highest hierarch of the Orthodox Church.
The Sakkos: Royal Glory and Humility
The main visible garment is the sakkos, a long, spacious vestment with wide sleeves, made of richly ornamented red brocade. Historically, the sakkos was a solemn imperial garment in Byzantium and later became part of episcopal vesture.
Spiritually, the sakkos also recalls the robe of mockery placed on Christ before Pilate. In this way it joins the memory of His humiliation with His true universal royal glory.
The Omophorion: The Lost Sheep
Over the sakkos lies the omophorion, a broad light band decorated with large crosses. It is the chief sign of episcopal dignity and has deep Gospel meaning.
The omophorion symbolizes the lost sheep carried on the shoulders of Christ the Good Shepherd. It points to the whole fallen human race, found and brought back to salvation by the Savior through His Cross.
The Royal Mitre and Spiritual Sword
The head of Christ is crowned with a royal mitre, shown as a high Byzantine imperial crown, adorned with precious stones, pearls, and a small cross. This refers to the words of Revelation where Christ is called King of kings and Lord of lords.
The palitsa, a diamond-shaped vestment shown at the side, symbolizes the spiritual sword of the word of God, by which Christ and His faithful servants cut away falsehood and defeat the invisible enemies of salvation.
The Throne of Glory and the Heavenly Powers
Christ the Great Hierarch is seated on a monumental golden throne. The throne symbolizes authority, the firmness of divine judgment, and the all-ruling power of God. Under His feet is a round footstool, recalling the words of Isaiah: “Heaven is My throne, and the earth is My footstool.”
The lower part of the icon includes angelic ranks in clouds. Cherubim and seraphim with outstretched wings emphasize that Christ is worshiped by the entire invisible heavenly hierarchy in trembling, love, and reverence.
Academic Painting and Mstyora Technique
This icon is painted in an academic, pictorial style. Unlike strict Byzantine flatness, academic painting allows the iconographer to show volume, realistic light and shadow, portrait expressiveness, the weight of embroidered brocade, the brilliance of stones, and the monumental presence of the throne.
There is intentionally no relief chasing over gesso on this icon. The gold background is left perfectly smooth and polished to a mirror brightness so that the surface does not compete with the extraordinary brushwork of the vestments, throne, angelic faces, and Gospel text.
The base is a carefully dried linden wood board strengthened with inset oak splines. Pavoloka, a linen cloth layer, is applied to the front, followed by many layers of chalk gesso. The final surface is polished to a porcelain-like smoothness.
All painting is done by hand with natural mineral egg tempera. Pigments such as lazurite, malachite, glauconite, cinnabar, and ochres are ground and mixed with egg emulsion. This technique gives depth, durability, and a noble matte quality.
Why the Price Is Contractual
The Great Hierarch icon in academic style is one of the most labor-intensive images in Orthodox church art. Unlike a classic half-length Pantocrator, this composition contains thousands of fine elements: brocade ornament, omophorion folds, pearl and ruby textures, throne details, Gospel calligraphy, transparent cloud glazes, and angelic faces.
For this reason, there is no single fixed price. The final price and production time depend on the selected board size, the level of micro-detail, and the exact compositional requirements. The recommended starting size is 30 x 40 cm, while monumental church and iconostasis formats are discussed individually.
Icon Characteristics
| Iconographic type | Christ the Great Hierarch, King of Kings, full enthroned image |
| Painting style | Academic Mstyora icon painting |
| Board | Selected linden wood, inset oak splines, pavoloka, chalk gesso |
| Painting materials | Natural mineral egg tempera, hand-ground pigments |
| Background gilding | Smooth mirror-polished 960-grade gold leaf |
| Decorative features | Detailed brush painting of brocade ornament, throne carving, Gospel, and angelic faces |
| Recommended sizes | From 30 x 40 cm to monumental iconostasis formats by individual agreement |
| Price and production time | Contractual; calculated individually according to size and complexity |
Ordering, Shipping, and Payment
This icon is made by individual agreement because of its complexity. The size, level of detail, production time, and final price are discussed before work begins. Free international shipping is included, and payment is made after receiving the icon.
Questions and Answers
How is the Great Hierarch icon different from the usual Christ Pantocrator?
In the Pantocrator icon Christ is usually shown in chiton and himation, while here He is vested as the eternal High Priest in sakkos, omophorion, and mitre.
Why is this icon also connected with King of Kings?
The royal mitre, throne, and rich vestments refer to Christ as victorious King of kings and Lord of lords.
What does the wide light band with crosses mean?
It is the omophorion, the chief episcopal vestment, symbolizing the lost sheep carried by Christ the Good Shepherd.
Why is the price calculated individually?
This icon requires exceptional detail: vestment ornaments, throne painting, angels, Gospel text, gold, and many layers of fine brushwork.
Can this icon be ordered in a small 17 x 21 cm size?
Such a small size is not recommended because the composition is very detailed; 30 x 40 cm is a more suitable minimum format.
Where should this icon be placed in the home?
It should be placed as a central image in the home iconostasis or prayer corner, treated with the same reverence as other principal icons of Christ.
How long does the smooth gold background last?
Genuine 960-grade gold leaf can keep its brightness for generations when protected from scratches and cared for gently.
Is this icon appropriate as a gift for clergy?
Yes. The Great Hierarch icon is especially meaningful for priests, abbots, spiritual fathers, and bishops on important church occasions.
What Gospel text is traditionally written on this icon?
Different canonical Gospel texts may be used, often words of consolation such as Come unto Me, or I am the light of the world.
Is a certificate of authenticity provided?
A certificate can confirm that the icon is hand-painted with natural mineral tempera and genuine 960-grade gold leaf.
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